Adorably Horror Series – Alan Bern
Photographs often capture and present moments. To collect these moments and for the great good health of body and mind, I take walks— yes, I walk my neighborhood streets and also beyond— and I capture moments, sometimes with the camera on my phone, sometimes with a few words, and sometimes with both. Snap snap. I regularly walk in my neighborhood where I have lived for 95% of my life. And, yes, it’s often awfully familiar, but there is always something new to see. Day of the Dead wooden sculptures, one a head-in-a-basket. Snap snap.
Poems, too, can capture and present these moments— especially short poems such as haiku and haiku-like poems. I capture and presents such moments in both my photographs and my poems, and sometimes I combines the two in what are called photo-haiga.* At other times I merge both into longer narratives that may tell a story, but more often present a flow of images and words that magnify and transmit thoughts, feelings, and dream-traces.
*”Haiga [paintings] are typically painted by haiku poets (haijin), and often accompanied by a haiku poem.” en.wikipedia.org/wiki/Haiga— with Alan’s photos standing in for the paintings.
Retired children’s librarian Alan Bern’s poetry books: No no the saddest and Waterwalking in Berkeley, Fithian Press; greater distance, Lines & Faces, his press with artist Robert Woods, linesandfaces.com. Alan has poems, stories, and photos published in a variety of online and print publications from which he has won awards. Recent photos published: unearthedesf.com/alan-bern and https://wanderlust-journal.com/2020/07/01/around-the-few-blocks-nearby/. Alan performs with dancer/choreographer Lucinda Weaver as PACES and with musicians from Composing Together, composingtogether.org.